Chet Baker在Riverside巅峰十年的五张专辑
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">文案</span><span style="color: black;">源自</span>:pitchfork.com</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">作者:Mark Richardson</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">翻译:小王子</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">Chet Baker曾<span style="color: black;">持有</span>两种事业身份。他是上世纪五十年代中期最瞩目的爵士巨星。他<span style="color: black;">漂亮</span>无比,吹着小号,吟唱有些怪异<span style="color: black;">乃至</span>些许中性化,略显脆弱。DownBeat杂志无论是乐评人还是读者都爱着他。他的录音作品,尤其是<span style="color: black;">初期</span>与萨克斯手Gerry Mulligan的作品可谓是西海岸爵士的<span style="color: black;">表率</span>。然而随着毒瘾的侵蚀,他<span style="color: black;">作为</span>了一个热点,音乐作品被个人生活掩埋。他瘦削憔悴的脸蛋向人们讲述一位<span style="color: black;">将来</span>可期的<span style="color: black;">青年</span>艺术家稍纵即逝的悲剧。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2KpLqial52HB3GicgmELNddaUPQnmjhRibKPxN4ibQXb91iaVKJEGuFldq3Q/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">上世纪五十年代后期,在<span style="color: black;">第1</span>次吸毒被捕后,Baker一整年都在<strong style="color: blue;">Riverside</strong>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">旗下做专辑。这是他职业生涯的转折点,他从小号手转向歌手。即使录制的时候<span style="color: black;">已然</span>三十岁了,他的声音依然听起来很<span style="color: black;">青年</span>。他<span style="color: black;">背面</span>有着一流乐手的加持,要<span style="color: black;">晓得</span>,这些都是底层音乐人难以想象的合作对象啊。</p>
<img src="https://mmbiz.qpic.cn/sz_mmbiz_gif/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2AKnaElCJibRh7diaz9qI2NA3cqmbH1bMW62AZcibA71X8YmMtNMcicCyEA/640?wx_fmt=gif&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">小常识:Riverside Records是一家美国爵士唱片<span style="color: black;">机构</span>。该唱片<span style="color: black;">机构</span>由Orrin Keepnews和Bill Grauer于1953年在他的<span style="color: black;">机构</span>Bill Grauer Productions旗下创立,在爵士唱片行业中发挥了重要<span style="color: black;">功效</span>。旗下曾<span style="color: black;">持有</span>Cannonball Adderley, Bill Evans, Charlie Byrd, Johnny Griffin和Wes Montgomery等重要艺人。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">01</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">It Could Happen to Yo</strong><strong style="color: blue;">u</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">在Riverside发行的<span style="color: black;">第1</span>张专辑便是《It Could Happen to You》,这是一张面向偏流行口味听众的专辑。他的唱腔在当时还不属于主流审美,有点跑调,破碎但精致,像是性感和纯真的混合体。<strong style="color: blue;">这种残缺的天真和梦幻的可爱让人觉得有些讽刺。</strong><strong style="color: blue;">在六十年后的今天,在看大卫林奇的电影时,<span style="color: black;">咱们</span>依然会在某些寂静的角落回想起Chet Baker的声音。</strong>这种声音贯穿了整张《It Could Happen to You》,以“My Heart Stood Still”为例,Baker演唱的音调<span style="color: black;">处在</span>他自然音域的高位部分,<span style="color: black;">因此呢</span>他的声音听起来既让人毛骨悚然又有点怪异。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2JePWmIQAxBI7N4TBsX6JJbVGTLXIk0aVCqMicPGVibJTcBxS54SWiaARQ/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">02</strong></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">O<span style="color: black;">uttakes and Alternates</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">《Outtakes and Alternates》跟前一张比起来,有了<span style="color: black;">更加多</span>的人声曲目。这张专辑里的曲目更加奇怪,<span style="color: black;">例如</span>“While My Lady Sleeps”完全是一首哥特式音乐,Baker演唱时更靠近麦克风,他演唱的节拍<span style="color: black;">亦</span>落后伴奏节拍<span style="color: black;">非常多</span>,剩下的歌更<span style="color: black;">不消</span>说了,在“Everything Happens to Me”里,他的音<span style="color: black;">尤其</span>高,唱起来<span style="color: black;">尤其</span>费劲。<strong style="color: blue;">但<span style="color: black;">倘若</span>你习惯了Baker的唱腔,你就会<span style="color: black;">发掘</span>,他只是用声音在展示爵士罢了。</strong></p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2GDicZQPicSmmyGVcSKtpuECnz8icXrTVzCibEvvzGGVsAvkz1EBevoQ1Jw/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">03</strong></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">Chet Baker in New York</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">Baker对Miles Davis所创立的冷爵士非常<span style="color: black;">喜欢</span>,这对他的小号风格产生了<span style="color: black;">明显</span>的影响。像Davis<span style="color: black;">同样</span>,<strong style="color: blue;">Baker<span style="color: black;">亦</span>避免了小号的极端音域从而更集中于中音区,<span style="color: black;">这般</span>配人声就方便了许多。</strong><strong style="color: blue;">他的乐感很强,<span style="color: black;">善于</span>改编<span style="color: black;">公众</span>所<span style="color: black;">熟练</span>的旋律,用最少的音符倾诉最丰富的的情感。</strong>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">在专辑《Chet Baker in New York》中,他和与Davis合作过的贝斯手Paul Chambers以及鼓手Philly Joe Jones,还有与Charlie Parker合作过的Al Haig,以及萨克斯手John Griffin<span style="color: black;">一块</span>致敬,<span style="color: black;">她们</span>还重新解构了Davis的“Solar”。录制这张专辑的时候,Baker毒瘾更严重了,状态很差,据Riverside的主理人Orrin Keepnews描述,“当时为了<span style="color: black;">打扮</span>化出健康的状态,几乎是把他用粉埋起来了。”某种<span style="color: black;">道理</span>上,这个<span style="color: black;">办法</span>成功了。“Polka Dots and Moonbeams”很烂漫<span style="color: black;">亦</span>很丰富,有点空洞但很容易着迷,而“Hotel 49”则是一首令人满足的10分钟的布鲁斯,Griffin的表现<span style="color: black;">非常</span>亮眼。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">04</strong></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">Chet</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">录完《In New York》之后,<span style="color: black;">马上</span>录了《Chet》。这是张纯气氛专辑。大部分曲目都是与钢琴家Bill Evans合作的。当时Bill Evans正<span style="color: black;">处在</span>事业巅峰期,他和Baker的风格<span style="color: black;">非常</span>契合。<strong style="color: blue;">“It Never Entered My Mind”里,Baker的小号部分<span style="color: black;">非常</span><span style="color: black;">哀伤</span>,其中颤音的<span style="color: black;">运用</span>更加深了这种感觉。</strong>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">在其他合作曲目中,与中音萨克斯手Pepper Adams的二重奏“Tis Autumn”,两个乐器的声音缠绵在<span style="color: black;">一块</span>。在“Alone Together”中,Evans即兴了一段开头,听起来像是“Blues in Green”的前身。成熟优美,曲目精良,《Chet》堪<span style="color: black;">叫作</span>Baker最好的专辑。</p>
<img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2Hxaq093k5yQEXiaZTSW1iaOX1sVGEUmsvtibCmWeQDwRseYmC0Gsdae7Q/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">05</strong></p><span style="color: black;"><strong style="color: blue;">Plays the Best of Lerner & Loewe</strong></span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">《Plays the Best of Lerner & Loewe》是1959年发行的器乐专辑。Baker向《窈窕淑女》的作曲家们致敬。<strong style="color: blue;">虽然这是他所有专辑中最差的一张,但它依然有它的魅力。</strong><strong style="color: blue;">这张专辑以抒情为主,录音的时候混响声很大。</strong><strong style="color: blue;">虽然有时候听起来让人觉得烦躁,但心情好的时候,听着确实不错。</strong>Baker从Rikers Island回来之后,就完<span style="color: black;">成为了</span>这张专辑的录制。剩下的六十年代,对他<span style="color: black;">来讲</span>简直是噩梦,一次次因吸毒被捕,被各个国家驱逐出境。1966年,他在一桩毒品交易中受伤,之后他掉了<span style="color: black;">非常多</span>牙齿,再<span style="color: black;">亦</span>吹不了小号了,音乐生涯停滞了。后来,他<span style="color: black;">最终</span>回归了,制作了一张新颖的专辑,堪<span style="color: black;">叫作</span>是他做过最烂的音乐:《Blood,Chet and Tears》里的“Sugar, Sugar”。在他长达十年的巅峰时期,他录了<span style="color: black;">非常多</span>专辑,时不时能有些<span style="color: black;">优秀</span>的作品。<strong style="color: blue;">他在Riverside的那段时光,虽有缺陷,<span style="color: black;">亦</span>曾辉煌。</strong></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">划重点!</strong><span style="color: black;"><strong style="color: blue;">12月23号晚9点,JZ Club将举办致敬Chet Baker音乐会!</strong></span><strong style="color: blue;"><span style="color: black;">爱好</span>Chet Baker的<span style="color: black;">大众</span>千万不要<span style="color: black;">错失</span>!</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">12.23 MON</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">A Tribute to Chet Baker </strong></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Presented by Antonio Ximénez</strong></p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/R6aicR0kicZ1126O68DmMyjN1ouolyUGM2t1y5JN8AGWIybSQ3SFMJv86URZO8u7QvVRs4ucZRicEGE0QOoUjDfmA/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"> 时间 Time </strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2019年12月23日 周一</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Dec. 23rd, Mon. </span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">9:00PM (8:00PM入场)</p>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"> 地点 Venue </strong></span></p>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">艺人介绍 Artist</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">Antonio Ximénez López出生于西班牙马德里。</span><span style="color: black;">他是西班牙最著名的小号演奏家之一。</span><span style="color: black;">他曾在马德里音乐学院学习小号和圆号,是一位演奏爵士,萨尔萨舞曲,Bossa Nova风格的专家,<span style="color: black;">同期</span><span style="color: black;">亦</span>是爵士大乐团的指挥。</span><span style="color: black;">本场演出主题是致敬天才爵士乐手Chet Baker。</span><span style="color: black;">Chet Baker是一位出色的冷爵士小号演奏家与爵士歌手,他的演奏常常能为一首乐曲注入灵性,令它<span style="color: black;">显现</span>全新面貌,为听者带来前所未有的感染力。</span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">Antonio Ximénez López, born in Madrid (Spain). He is one of the most famous trumpet players in his country. He studied Trumpet and French Horn at the Madrid Conservatory. He is an expert in Jazz, Salsa, Bossa and director of Big band.</span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_png/R6aicR0kicZ12HSnqhSTFsybBibibugaju9nv6PlYLym1pJowa9vgqRrUx3k7bJqz7OnMy3GzOQ2wEWFaAHEIdOZSQ/640?wx_fmt=png&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
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